Simone Gisela Weber

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	<title>Simone Gisela Weber</title>
	<link>https://simonegisela.com</link>
	<description>Simone Gisela Weber</description>
	<pubDate>Tue, 04 Jul 2023 10:49:48 +0000</pubDate>
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		<title>What can (not) be seen from here</title>
				
		<link>http://simonegisela.com/What-can-not-be-seen-from-here</link>

		<comments></comments>

		<pubDate>Tue, 04 Jul 2023 10:49:48 +0000</pubDate>

		<dc:creator>Simone Gisela Weber</dc:creator>
		
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		<description>

What can (not) be seen from here&#38;nbsp;
@DAS Graduate School Amsterdam, 2023


&#60;img width="1800" height="1201" width_o="1800" height_o="1201" src_o="https://cortex.persona.co/t/original/i/a27ff08e360035d1a78ae6a8796dbbdf36ddf2eaadf08a1e2c7d6ac7ce1d88b8/TML20230328_67924.jpg" data-mid="1299074" border="0" /&#62;&#60;img width="1800" height="1201" width_o="1800" height_o="1201" src_o="https://cortex.persona.co/t/original/i/3dcdcd4e8e9c43ae4c85d285b555cb2c0e43294c2c8a4fd9adeaeb9ad9b2eb57/TML20230328_67752.jpg" data-mid="1299072" border="0" /&#62;&#60;img width="1800" height="1201" width_o="1800" height_o="1201" src_o="https://cortex.persona.co/t/original/i/41a9bd80fce4b4786df698597c5262a71c1c21c51e9c45bc91e61e04350bbc23/TML20230328_67736.jpg" data-mid="1299071" border="0" /&#62;&#60;img width="1800" height="1201" width_o="1800" height_o="1201" src_o="https://cortex.persona.co/t/original/i/d399541a3046855697fd4f41709e8c00871d7d401496441fa637db4f18a4eb4d/TML20230328_67909.jpg" data-mid="1299073" border="0" /&#62;&#60;img width="1800" height="1201" width_o="1800" height_o="1201" src_o="https://cortex.persona.co/t/original/i/43b1e67b1aa242cca435c8984fb508409a62fe82d17fcecae672089d478b1904/TML20230328_68022.jpg" data-mid="1299076" border="0" /&#62;&#60;img width="1800" height="1201" width_o="1800" height_o="1201" src_o="https://cortex.persona.co/t/original/i/f29c291a21fde546efce7c2d7aec4256054091ff0051bd6b3fac234b5d2f4892/TML20230328_67943.jpg" data-mid="1299075" border="0" /&#62;&#60;img width="1800" height="1201" width_o="1800" height_o="1201" src_o="https://cortex.persona.co/t/original/i/f2024372324ddbbafad8ce418977fa45c706802b1cb6bf202ab6ccd8a0e18fde/TML20230328_68055.jpg" data-mid="1299077" border="0" /&#62;&#60;img width="1800" height="1201" width_o="1800" height_o="1201" src_o="https://cortex.persona.co/t/original/i/3244a4fa5962b43c5fffb983c01bc78225bff1ddb5957502c7d3d606dc6c0675/TML20230328_68343.jpg" data-mid="1299079" border="0" /&#62;&#60;img width="1800" height="1201" width_o="1800" height_o="1201" src_o="https://cortex.persona.co/t/original/i/d625bfa9ebd200a75d8800b7f6f7bdea2e82af22ab0b8797b508d45a9ac3feb8/TML20230328_68100.jpg" data-mid="1299078" border="0" /&#62;&#60;img width="1800" height="1201" width_o="1800" height_o="1201" src_o="https://cortex.persona.co/t/original/i/62f3d32b3a9726a8ffd0a355c38ad12abf9d70ddd195fe8edee07cb4f12a3096/TML20230328_68472.jpg" data-mid="1299081" border="0" /&#62;&#60;img width="1800" height="1201" width_o="1800" height_o="1201" src_o="https://cortex.persona.co/t/original/i/f51b4996fe12503341de771723a247c0c06330140c4394f722c2848b830a364c/TML20230328_68430.jpg" data-mid="1299082" border="0" /&#62;&#60;img width="1800" height="1201" width_o="1800" height_o="1201" src_o="https://cortex.persona.co/t/original/i/a828320415d5ea41a6370bbc89a4bf25293cbb6c74532c969c2a303819246d41/TML20230328_68474.jpg" data-mid="1299083" border="0" /&#62;

Link to full length video documentation&#38;nbsp;

To what extent can a space in danger of perpetual collapse, no longer guarantee our usual perception? 

The work is an encounter in which bodies are located in different forms of potentialities as they are entangled in structures of constant demolition. Their slowness, resistance and precarity are expressions of the attempt as well as the urge to challenge our relation to time and space, which centers mainly human conditions. Inspired by concepts of more-than-human nature, we strive to move towards a more open experience of different temporalities and perceptions. In dialogue with different materialities, an imaginary landscape invites the present bodies to oscillate between theatricality, literality and abstraction. Their states of presence, co-existence and entanglement are negotiated in the performance through a sense of “making time”.

How can choreography be thought of as a speculative practice that challenges normative human ways of attending, perceiving and being? 

During my research I engaged in multiple ways of moving alongside, moving with and as different materialities. It allowed me to question the predominant mode of perception of the human body in life as well as in performing arts. Absence and presence, intensities and diverse modes of disappearance have become current choreographic and artistic strategies to challenge the prevalent relationship of the human body to its environment. 

Artistic Research, Choreography: Simone Gisela Weber &#124; Performance, Movement Research: Laura Boser, Ahmed El Gendy, Leandro Souza &#124; Movement Research during residencies: Vilja Mihalovsky, Isis Andreatta, Juan Felipe Amaya Gonzalez &#124; Sound design: Murrettumeri &#124; Space: Simone Gisela Weber &#124; Dramaturgy: Jenny Mahla &#124; Mentorship: Jee- Ae Lim, Sonja Jokiniemi, Ana Vujanović &#124; Technical Support: Harco Haagsma, Udo Akemann and Jimmy Grima &#124; Collaboration &#38;amp; Acknowledgment: Isis Andreatta, Mario Lopes, Zander Porter, Alina Ruiz Folini, Simone Truong, Ahmed El Gendy, Leandro Souza, Flavia Pinheiro, Forough Fami, Alexa Mardon, Amparo Gonzalez Sola, Setareh Fatehi, Alice Chauchat, Alejandro Salas Strus, Kimberly Kaviar, Konstantina Georgelou, Jeroen Fabius, Yeng Nacion, velvet leigh, Martin Brans and Emmy &#124; Thanks to Young Artsupport Amsterdam&#38;nbsp; (YAA) &#124; Texts inspired by “All the lovers in the night” by Mieko Kawakami, “Was man von hier aus sehen kann” by Mariana Leky amongst others

Thanks to Young Art Support Amsterdam (NL), DAS Choreography AHK (NL)
</description>
		
		<excerpt>  What can (not) be seen from here&#38;nbsp; @DAS Graduate School Amsterdam, 2023     Link to full length video documentation&#38;nbsp;  To what extent can a space in...</excerpt>

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		<title>For young audience </title>
				
		<link>http://simonegisela.com/For-young-audience</link>

		<comments></comments>

		<pubDate>Sun, 23 Oct 2022 15:31:45 +0000</pubDate>

		<dc:creator>Simone Gisela Weber</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">432431</guid>

		<description>

For young audiences

Faust im Nacken - on tour, Tanzhaus NRW 2023

Faust im Nacken, Theater Strahl Berlin 2022

Unter Druck - Workshops for teenagers about the feeling of being under pressure

Unter Strom&#38;nbsp;</description>
		
		<excerpt>  For young audiences  Faust im Nacken - on tour, Tanzhaus NRW 2023  Faust im Nacken, Theater Strahl Berlin 2022  Unter Druck - Workshops for teenagers about the...</excerpt>

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	<item>
		<title>Melting Eyes </title>
				
		<link>http://simonegisela.com/Melting-Eyes</link>

		<comments></comments>

		<pubDate>Sun, 23 Oct 2022 15:17:48 +0000</pubDate>

		<dc:creator>Simone Gisela Weber</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>

Melting Eyes
@ DAS Graduate School Amsterdam, 2022
@ KUVA/Tila Galery Helsinki, Finland 2023

&#60;img width="1800" height="1201" width_o="1800" height_o="1201" src_o="https://cortex.persona.co/t/original/i/0487d87d751ea1baa9a5212d392e02531b3ff4e03882c276b0d2c53f8e9e68a2/TML20220906_39837.jpg" data-mid="1299151" border="0" /&#62;&#60;img width="1800" height="1201" width_o="1800" height_o="1201" src_o="https://cortex.persona.co/t/original/i/6e156e73b2c5a8c7e333095edbadfe0421f43ae2077403911149cb63413f2bed/TML20220906_39971.jpg" data-mid="1299154" border="0" /&#62;&#60;img width="1800" height="1201" width_o="1800" height_o="1201" src_o="https://cortex.persona.co/t/original/i/aa59746bb35e3b1322956269359e15564008c4e6aa4e47370ed1c819c9a961ba/TML20220906_39889.jpg" data-mid="1299153" border="0" /&#62;&#60;img width="1800" height="1201" width_o="1800" height_o="1201" src_o="https://cortex.persona.co/t/original/i/56c88fb711498e6ce905f24dff1c7b6d36405986a756123c4c16ec76397594a7/TML20220906_40059.jpg" data-mid="1299155" border="0" /&#62;&#60;img width="1800" height="1201" width_o="1800" height_o="1201" src_o="https://cortex.persona.co/t/original/i/f573beaf5ddd2433c77ddf2eec4eac05d1e470a28e5679fb09e1e7d17ea57bac/TML20220906_40395.jpg" data-mid="1299156" border="0" /&#62;&#60;img width="1800" height="1201" width_o="1800" height_o="1201" src_o="https://cortex.persona.co/t/original/i/e5c887cfad8b9ecd815c3f1736f30bd1990f7ecd874f172e24d82612482ca5bf/TML20220906_40402.jpg" data-mid="1299157" border="0" /&#62;&#60;img width="1800" height="1201" width_o="1800" height_o="1201" src_o="https://cortex.persona.co/t/original/i/4ed5386c1402b47ea7ad60e5d97b3ac5a9a41cb3bfcce0cc965742ce4c7577f6/TML20220906_39841.jpg" data-mid="1299152" border="0" /&#62;&#60;img width="1800" height="1201" width_o="1800" height_o="1201" src_o="https://cortex.persona.co/t/original/i/adc4085fafa611037a8713316e3bb89a43019d5024d6036dead54a18a7375176/TML20220906_40418.jpg" data-mid="1299158" border="0" /&#62;&#60;img width="1800" height="1201" width_o="1800" height_o="1201" src_o="https://cortex.persona.co/t/original/i/952e43a4d8ed4e60883537c974429388b42acd36d970e2cf0eddfdee6fc03c7e/TML20220906_40544.jpg" data-mid="1299159" border="0" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Link to full length video documentation&#38;nbsp;


Melting Eyes is a multimedia performance that explores the binaries of nature &#38;amp; culture, body &#38;amp; technologies, human &#38;amp; material, natural &#38;amp; artificial, emotionality &#38;amp; frigidity.

Inspired by more-than-human nature and in dialogue with different materialities such as clay, jelly and sand, anassemblage of movement, moving image, technology (screens) and sound form a landscape in which the body oscillates between theatricality, literality and abstraction. The performance creates a particular landscape by performative actions and movements, eg. the screens will bemoved and placed in a certain score based logic, sculpture as well as sand will be revealed and composed in the space. 

Melting Eyes was made as sequel of my graduation work reverberation, by developing further compositional and material strategies I have applied in reverberation. Both of my works are installations of potential performative situations which are created by staging actions and materials that imply certain activation. Both works leave a landscape of leftovers, past sound and vibration, broken drum sticks, geology of sand and soil, misplaced television screens.

Research, Performance, Choreography: Simone Gisela Weber &#124; Sound Design: Henri Nikkilä &#124; Outside Eye/Performer: Vilja Mihalovsky &#124; Mentor: Jee-Ae Lim &#124; Artistic Support and Advice: My DAS peers, Alejandro Salas Strus, Konstantina Georgelou, Alice Chauchat, Jeroen Fabius, Velvet Leigh, Tiana Hemlock, Emmy and Elioa Steffen &#124; Technical Support: Harco Haagsma, Udo Akemann 

Thanks to Young Art Support Amsterdam (NL),&#38;nbsp;DAS Choreography AHK (NL), Fonds Darstellende Künste (GER)&#38;nbsp;and&#38;nbsp;thanks to all the DAS staff.


</description>
		
		<excerpt>  Melting Eyes @ DAS Graduate School Amsterdam, 2022 @ KUVA/Tila Galery Helsinki, Finland 2023  &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;...</excerpt>

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	<item>
		<title>SOFT STONE</title>
				
		<link>http://simonegisela.com/SOFT-STONE</link>

		<comments></comments>

		<pubDate>Sun, 23 Oct 2022 15:17:40 +0000</pubDate>

		<dc:creator>Simone Gisela Weber</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">432429</guid>

		<description>

SOFT STONE@ Unter dem Pflaster 2022, Ateliergemeinschaft Milchhof e. V.

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The choreographic installation Soft Stone has its origins in the work Hypothetic Bodies (2021). In the Milchhof pavilion, the choreographic and filmic material finds a new form. Soft Stone explores bodies, sound and materialities that meet in a vacuum between action and standstill. In this extreme state, these bodies develop their own distorted rhythm, a togetherness and a temporality that always contain a form of potentiality.Concept, choreography, performance, installation: Julia Keren Turbahn, Simone Gisela Weber
Sound: Nikola Pieper 
Live sound and technical support: Ernesto Cárcamo Cavazos
Video edit, installation: Simone Gisela Weber
Artistic support installation, space: Hanna Kritten Tangsoo
Artistic support installation, video: Svenja Simone Schulte
The visual material is taken from the earlier work Hypothetic Bodies, which was awarded as a film in 2021: 
Concept, Choreography: Julia Keren Turbahn, Simone Gisela WeberPerformance: Simone Gisela WeberDirector, camera, editing: Svenja Simone SchulteSecond camera: Charlotte Elsa Grief Sound design: Nikola PieperCostume design: Bettina MiletaLighting design and set design: Hanna Kritten Tangsoo Technical direction: Hanna Kritten Tangsoo Movement coaching: Rachell Bo ClarkDramaturgical support: Vilja MihalovskyDramatic support editing: Dennis VetterProduction Management: Alexander Schröder
</description>
		
		<excerpt>  SOFT STONE@ Unter dem Pflaster 2022, Ateliergemeinschaft Milchhof e. V.   The choreographic installation Soft Stone has its origins in the work Hypothetic...</excerpt>

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	<item>
		<title>reverberation</title>
				
		<link>http://simonegisela.com/reverberation</link>

		<comments></comments>

		<pubDate>Sun, 23 Oct 2022 15:17:32 +0000</pubDate>

		<dc:creator>Simone Gisela Weber</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">432428</guid>

		<description>

reverberation&#38;nbsp;
@ KUVAN KEVÄT, KUVA/Tila Galery, Helsinki Finland, 2022

 4-channel video installation (4x LED screens; Full HD)

Performative Installation (drum kit, fair carpet in royal blue, bricks made of ballistic gel colored)

Awarded with the Anita Snellman Grant “A work of art which needed to be made”


&#60;img width="5184" height="3456" width_o="5184" height_o="3456" src_o="https://cortex.persona.co/t/original/i/b8f6a1d19dd061a7e9611c15a7daf314af1b1bc7880b2c96eadd88586d1fdca9/IMG_5693.JPG" data-mid="1299162" border="0" /&#62;&#60;img width="5184" height="3456" width_o="5184" height_o="3456" src_o="https://cortex.persona.co/t/original/i/4e84cfee8a41bd82831a8143451732d55862865cda3e6f357a45c04223b382ec/IMG_5691.JPG" data-mid="1299161" border="0" /&#62;&#60;img width="5184" height="3456" width_o="5184" height_o="3456" src_o="https://cortex.persona.co/t/original/i/ad33e7a8dac0ddf2da7ece8fb701e48323832a13284dde2dd4ec5b52bd6881cc/IMG_5683.JPG" data-mid="1299160" border="0" /&#62;&#60;img width="5184" height="3456" width_o="5184" height_o="3456" src_o="https://cortex.persona.co/t/original/i/b168cd42ec9fe786cde6f20934fe80148ab21bc3bcae8ff67eb87f060c491fc4/IMG_5617.JPG" data-mid="1299164" border="0" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" src_o="https://cortex.persona.co/t/original/i/82285cfa7f2fdae4c404275c99a97c4c98d1f4db00fb034487d3200931a6074e/IMG_7952.jpg" data-mid="1299168" border="0" /&#62;&#60;img width="5184" height="3456" width_o="5184" height_o="3456" src_o="https://cortex.persona.co/t/original/i/335c2e379a3f53ed9089b60f36055d2d16b16b98ecca98187d311cd665f24dd1/IMG_5612.JPG" data-mid="1299165" border="0" /&#62;&#60;img width="5184" height="3456" width_o="5184" height_o="3456" src_o="https://cortex.persona.co/t/original/i/1c04eb6ea83e5fee10e049032a42155c330fa50ec6cfb6ce7e86a133d489ee4a/IMG_5625.JPG" data-mid="1299163" border="0" /&#62;


‚reverberation‘ consist of a 4- channel video installation and a performative installation which together deal with the performativity of materiality and the inhabited violence, symbolic power and gender/class struggle.


On a compositional and musical level which is presented in repetition, synchronicity, mirroring and jump cuts, ‚reverberation‘ explores the plasticity of materials, emotionality and their resistance to human control.


Furthermore, ‚reverberation‘ is a work on body memory, on what is left in human flesh, structure and architecture. My grandfather was a bricklayer. Actually I knew that, but the choice of working with bricks was not consciously directed by this family history. My mom mentioned it in a side sentence after I told her I am working with bricks. I felt very comfortable in working with bricks. I fell in love with the materiality, the fragility but firmness, the uniformity but difference, their heaviness but still light enough to carry. They left marks on my body, in shape of muscles formed by laboring them, blue spots, scratches and red color mark from their minerals. But they were gentle. My body new how to handle. From an artistic side, coming from choreography and performance, I enjoyed the resistance I had to work through. There was an interplay of control, being controlled and losing control (on both sides: bricks and performer).


I’ve got curious about the memory held by a material and picked up the footage for exploring my fascination further. The process of editing, the attempt to highlight the materiality of the bricks, to make the synthesis of the different bodies tangible brought me even closer to the material.


The performative installation consisting of drum set, and bricks made of ballistic gel, I examine the plasticity of bodies. The bricks become the human flesh. The human transforms into bricks. Ballistic Gel is a resemblance of human flesh. A material that imitates the density of the human flesh, used in police, military, forensic and medical context, to test and reconstruct the penetration of needles, bullets, knifes. They look innocent but embody violence and cruelty. The installation is accompanied by a sound piece, which is interrupting and disturbing the space of Mylly occasionally and surprisingly. The musical composition is based on editing methods used in the video installation and explores a possible sound of bullets in space.
The performance installation was performed by Henri Nikkilä

Thanks to Uniarts Helsinki and the Academy of Fine Arts Helsinki, Finland

</description>
		
		<excerpt>  reverberation&#38;nbsp; @ KUVAN KEVÄT, KUVA/Tila Galery, Helsinki Finland, 2022   4-channel video installation (4x LED screens; Full HD)  Performative...</excerpt>

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	<item>
		<title>LEASHED UNLEASHED</title>
				
		<link>http://simonegisela.com/LEASHED-UNLEASHED</link>

		<comments></comments>

		<pubDate>Sun, 23 Oct 2022 15:17:21 +0000</pubDate>

		<dc:creator>Simone Gisela Weber</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">432427</guid>

		<description>

LEASHED UNLEASHED
@ Theaterhaus G7, 2021
@ Ringtheater Berlin, 2022

&#60;img width="1080" height="720" width_o="1080" height_o="720" src_o="https://cortex.persona.co/t/original/i/eadb848ee9dbec985d17d12a8caa23d07b5a782a6abdc7d5997388754c7c7432/Leashed_Unleashed_Show_Final_c_Philipp_Weinrich_Insta_220217__DSF6473_Rating_0.jpg" data-mid="1233908" border="0" /&#62;&#60;img width="1080" height="720" width_o="1080" height_o="720" src_o="https://cortex.persona.co/t/original/i/099ae95d315964891060f0a1befac27953fcf3205a14beb88cac319f996dd6c3/Leashed_Unleashed_Show_Final_c_Philipp_Weinrich_Insta_220217__DSF5495_Rating_0.jpg" data-mid="1233919" border="0" /&#62;&#60;img width="1080" height="720" width_o="1080" height_o="720" src_o="https://cortex.persona.co/t/original/i/4869fff138728f0d6a9db258cf2e07d38676d006332919a14ae05352039345cc/Leashed_Unleashed_Show_Final_c_Philipp_Weinrich_Insta_220217__DSF5208_Rating_0.jpg" data-mid="1233928" border="0" /&#62;&#60;img width="1080" height="720" width_o="1080" height_o="720" src_o="https://cortex.persona.co/t/original/i/a306db3a844c40c9d7997a1797c2e4a67c92f571f5be252138bb4e98b8b2bddf/Leashed_Unleashed_Show_Final_c_Philipp_Weinrich_Insta_220217__DSF5270_Rating_0.jpg" data-mid="1233926" border="0" /&#62;&#60;img width="1080" height="720" width_o="1080" height_o="720" src_o="https://cortex.persona.co/t/original/i/11b9d78a577a7d20da4507a5572496164fa773a754e2ebe991ce333187d47097/Leashed_Unleashed_Show_Final_c_Philipp_Weinrich_Insta_220217__DSF5230_Rating_0.jpg" data-mid="1233927" border="0" /&#62;&#60;img width="1080" height="720" width_o="1080" height_o="720" src_o="https://cortex.persona.co/t/original/i/c89a7b1ae55fc3a8bbdb7b87449cab3b24ffcfaa673ca063f3cbd308109df53d/Leashed_Unleashed_Show_Final_c_Philipp_Weinrich_Insta_220217__DSF5521_Rating_0.jpg" data-mid="1233918" border="0" /&#62;&#60;img width="1080" height="720" width_o="1080" height_o="720" src_o="https://cortex.persona.co/t/original/i/18f20ba6296a28d09696ff0547e8fa44bd85ebfaa2258911254253689830e3ef/Leashed_Unleashed_Show_Final_c_Philipp_Weinrich_Insta_220217__DSF5620_Rating_0.jpg" data-mid="1233917" border="0" /&#62;&#60;img width="1080" height="720" width_o="1080" height_o="720" src_o="https://cortex.persona.co/t/original/i/3a894b74c6145018a270d22d5d4db06ba12b0b115230fcab729d3899ffc86c1e/Leashed_Unleashed_Show_Final_c_Philipp_Weinrich_Insta_220217__DSF6165_Rating_0.jpg" data-mid="1233912" border="0" /&#62;&#60;img width="1080" height="720" width_o="1080" height_o="720" src_o="https://cortex.persona.co/t/original/i/47bf9d0bbddf878b714c8fe699c2bab83b02f82304d6ded3ebf727dd2fbf4ded/Leashed_Unleashed_Show_Final_c_Philipp_Weinrich_Insta_220217__DSF6460_Rating_0.jpg" data-mid="1233910" border="0" /&#62;&#60;img width="1080" height="720" width_o="1080" height_o="720" src_o="https://cortex.persona.co/t/original/i/a78fd785900486f643baac296caf02ba74efa21e084fb75624c3aee7e09bf9dd/Leashed_Unleashed_Show_Final_c_Philipp_Weinrich_Insta_220217__DSF6469_Rating_0.jpg" data-mid="1233909" border="0" /&#62;&#60;img width="1080" height="720" width_o="1080" height_o="720" src_o="https://cortex.persona.co/t/original/i/078b28860d1711e50e1bba6ce6bc3def814f26fc0d1e9dbb617644ab105dc1cd/Leashed_Unleashed_Show_Final_c_Philipp_Weinrich_Insta_220217__DSF5467_Rating_0.jpg" data-mid="1233922" border="0" /&#62;&#60;img width="1080" height="720" width_o="1080" height_o="720" src_o="https://cortex.persona.co/t/original/i/a91fbd0097695ddb495c436695d0c7e8012c455225730c207da5626ccc4ca113/Leashed_Unleashed_Show_Final_c_Philipp_Weinrich_Insta_220217__DSF5448_Rating_0.jpg" data-mid="1233923" border="0" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Link to video documentation 


Leashed Unleashed offers us a look at the mechanisms of control to which the human body is subjected - external control as well as internal discipline. What do we experience physically and affectively when we are in a state of losing control or being controlled?
Field research and interviews with people who deal daily with adaptations of the body to 
(self-)imposed social control mechanisms inspire the choreography. Ambivalent movement material and poetic stories of professionals in fields such as plastic surgery, the BDSM scene or fitness training are put together in a visually powerful scenic collage that creates divergent and free spaces of perception.

By &#38;amp; with: Kimberly Kaviar &#38;amp; Zhenya Salinski &#124; Choreography &#38;amp; Performance: Simone Gisela Weber &#38;amp; Juan Felipe Amaya Gonzalez (Kimberly Kaviar) &#124; Text &#38;amp; Performance: Zhenya Salinski &#124; Music and Sound: Friedrich Byusa Blam &#124; Audiovisual Design: Max Wigger &#124; Lighting Design (Stage): Catalina Fernandez &#124; Stage: Yoav Admoni &#124; Costume: Sara Wendt &#124; Voices: Rachell Bo Clark, Maciej Sado &#124; Production Management: Sophia Keßen &#124; Dramaturgy: Tim Jakob, Dandan Liu &#124; Consulting: Thomas Schaupp &#124; Audio description: Rike Fläming
Co-production Theaterhaus G7 as part of the Sprechlabor series of events. Work in Progress presented at the Performing Art Festival Berlin PAF 2021. Supported by Fonds Darstellende Künste with funds from the Federal Government Commissioner for Culture and the Media and the cultural support programme Tor 4 - BASF promotes art.
</description>
		
		<excerpt>  LEASHED UNLEASHED @ Theaterhaus G7, 2021 @ Ringtheater Berlin, 2022  &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;...</excerpt>

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	<item>
		<title>Hypothetic Bodies</title>
				
		<link>http://simonegisela.com/Hypothetic-Bodies</link>

		<comments></comments>

		<pubDate>Sun, 23 Oct 2022 15:15:11 +0000</pubDate>

		<dc:creator>Simone Gisela Weber</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">432426</guid>

		<description>

Hypothetic Bodies

@Uferstudio, Berlin, 2021
@ dringeblieben.de, 2021
@&#38;nbsp;A.PART Festival, Berlin 2022

&#60;img width="2868" height="4302" width_o="2868" height_o="4302" src_o="https://cortex.persona.co/t/original/i/f611bbac6a6088aca052f0459aefdef1b2dbd1116194b49ca726fa3d5094bfd1/Hypothetic-Bodies_2021-08-09_2010_HighRes-1.jpg" data-mid="1233828" border="0" data-scale="50"/&#62;&#60;img width="3750" height="5625" width_o="3750" height_o="5625" src_o="https://cortex.persona.co/t/original/i/674c10a1ba4db61876aa68f265baf66097c0a1d2d3687fb9d08b6d28f412e097/Hypothetic-Bodies_2021-08-09_2195_HighRes.jpg" data-mid="1233834" border="0" data-scale="50"/&#62;&#60;img width="5128" height="7689" width_o="5128" height_o="7689" src_o="https://cortex.persona.co/t/original/i/824003c7831c75a906e387a2163e07b0f14b0e35be72a81bf59c1d97bcef1e36/Hypothetic-Bodies_2021-08-09_1706_HighRes.jpg" data-mid="1233824" border="0" data-scale="50"/&#62;&#60;img width="5001" height="7497" width_o="5001" height_o="7497" src_o="https://cortex.persona.co/t/original/i/73abcc904717ad93345bd887cac4bef6ad9d5f3cfcaa68a38237411afdae5d48/Hypothetic-Bodies_2021-08-09_1244_HighRes.jpg" data-mid="1233830" border="0" data-scale="50"/&#62;&#60;img width="4733" height="7100" width_o="4733" height_o="7100" src_o="https://cortex.persona.co/t/original/i/ae817b8f0d2e24e2cc2b44189801f91e1080c96a7a6a4e66de4c8bd8fa596ba3/Hypothetic-Bodies_2021-08-09_2177_HighRes.jpg" data-mid="1233827" border="0" data-scale="50"/&#62;&#60;img width="6613" height="4409" width_o="6613" height_o="4409" src_o="https://cortex.persona.co/t/original/i/253f4134b222746877ca8bc405824456d40638535f735083bd13a4f4944725ed/Hypothetic-Bodies_2021-08-09_0836_HighRes.jpg" data-mid="1233833" border="0" data-scale="100"/&#62;&#60;img width="7322" height="4881" width_o="7322" height_o="4881" src_o="https://cortex.persona.co/t/original/i/77424be38251e46c8c8daca2a17c1ab2c293c77bbf54335e7b67a294b2e16973/Hypothetic-Bodies_2021-08-09_0675_HighRes.jpg" data-mid="1233836" border="0" /&#62;&#60;img width="7233" height="4822" width_o="7233" height_o="4822" src_o="https://cortex.persona.co/t/original/i/e251be07662ad1075681a55d12df9291061bda93cd133db87ed07c8a1a64a01f/Hypothetic-Bodies_2021-08-09_2285_HighRes.jpg" data-mid="1233829" border="0" /&#62;&#60;img width="5287" height="3525" width_o="5287" height_o="3525" src_o="https://cortex.persona.co/t/original/i/e29c499686cca77c9ca69cd4af384f9c249174d43f2ca4659d31d5f52df6fdba/Hypothetic-Bodies_2021-08-09_2108_HighRes.jpg" data-mid="1233826" border="0" /&#62;&#60;img width="4786" height="7180" width_o="4786" height_o="7180" src_o="https://cortex.persona.co/t/original/i/1b78617dc5d0736acc3562dee175b497bb8c91a3fd4a5d623a5583fb76565886/Hypothetic-Bodies_2021-08-09_0019_HighRes.jpg" data-mid="1233832" border="0" data-scale="50"/&#62;&#60;img width="3901" height="5851" width_o="3901" height_o="5851" src_o="https://cortex.persona.co/t/original/i/213352e26ac883d55c861fedeede54a4e607300a4467c4feef97ed21d5004f58/Hypothetic-Bodies_2021-08-09_2209_HighRes.jpg" data-mid="1233831" border="0" data-scale="50"/&#62;&#60;img width="7689" height="5128" width_o="7689" height_o="5128" src_o="https://cortex.persona.co/t/original/i/be735f1a60125cab86b44bbc1e1724d28d35fe7cd6430708c15f7bed460cac8f/Hypothetic-Bodies_2021-08-09_2217_HighRes.jpg" data-mid="1233835" border="0" data-scale="100"/&#62;&#60;img width="4988" height="7479" width_o="4988" height_o="7479" src_o="https://cortex.persona.co/t/original/i/7016c584f5823c9fdf4740569f27ce854c0fdba6584b4a0a27613ab1a4a86fcd/Hypothetic-Bodies_2021-08-09_1371_HighRes.jpg" data-mid="1233823" border="0" data-scale="50"/&#62;&#60;img width="4211" height="6317" width_o="4211" height_o="6317" src_o="https://cortex.persona.co/t/original/i/caf13df192309823f4f4ba37de1351c9df601fe7f5cbcf93a6b7d3a0068f794f/Hypothetic-Bodies_2021-08-09_1780_HighRes.jpg" data-mid="1233825" border="0" data-scale="50"/&#62;
Link to video on request

In modern functional systems such as economic, political, but also private systems, in which people move in the 21st century they should act as reflectively, quickly and effectively as possible. The contemporary body is subject to a specific time regime of acceleration: restless, dissected and hyperactive. Hypothetic Bodies breaks with this doctrine and explores the state of contemplation as an active gesture of questioning. Thereby the performance investigates bodies, sound and materialities that meet in a vacuum between action and stasis. In this extreme state, these bodies develop their own distorted rhythm, togetherness and temporality which always contain a notion of potentiality.

Due to the pandemic measures Hypothetic Bodies resulted in a film version in collaboration with the filmmaker Svenja Simone Schulte. The zoomed-in camera view allows the choreographic material to be explored in a different way. &#38;nbsp;A cinematic dramaturgy of deceleration that follows the body closely evokes different bodily temporalities. Through specific editing, the body dissolves into individual parts and the space in which it moves becomes unidentifiable - a landscape that allows different bodies and temporalities to appear.&#38;nbsp;

Concept, Choreography: Julia Keren Turbahn, Simone Gisela Weber
Performance: Simone Gisela Weber
Video Director, Director of Photography, Editor: Svenja Simone Schulte
2nd camera: Charlotte Elsa Grief Sounddesign: Nikola PieperCostume design: Bettina MiletaLight design, Stage design: Hanna Kritten TangsooTechnical director: Hanna Kritten Tangsoo
Dramaturgical support: Vilja Mihalovsky
Movement coaching: Rachell Bo Clark
Dramaturgical support Editing: Dennis VetterProduction management: Alexander Schröder

Supported by Fonds Darstellende Künste with funds from the Federal Government Commissioner for Culture and the Media and Kunststiftung NRW.&#38;nbsp; With the kind support of Uferstudios GmbH, Ateliergemeinschaft Milchhof e.V. and Maschinenhaus Essen.
</description>
		
		<excerpt>  Hypothetic Bodies  @Uferstudio, Berlin, 2021 @ dringeblieben.de, 2021 @&#38;nbsp;A.PART Festival, Berlin 2022   Link to video on request  In modern functional...</excerpt>

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	<item>
		<title>Collaborations</title>
				
		<link>http://simonegisela.com/Collaborations</link>

		<comments></comments>

		<pubDate>Sun, 23 Oct 2022 14:05:07 +0000</pubDate>

		<dc:creator>Simone Gisela Weber</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">432425</guid>

		<description>

Collaborations

Threshold Barrier by Arneout Mik (Schirnhalle, Frankfurt am Main, 2022)

IF EVERY ROCK IS A HOLE by Amparo González Sola (Come Together, Utrecht and Amsterdam, The Netherlands, 2022)

SOLO(W)NG by Sanna Blennow (Festival New S*t, Dansehallerne, Copenhagen, Denmark, 2021)

SOMETHING AND NOTHING ABOUT DARKNESS by Mikko Niemistö and Sanna Blennow (2021+2022)

MA by deufert&#38;amp;plischke (K3 Hamburg, 2020)

High Diving by Julia Keren Turbahn (Uferstudios, Berlin, 2019)

IN THIS NOW by Sanna Blennow (c.off, Stockholm, Sweden, 2019)

Remain Calm by Nile Koetting (Kunstverein Göttingen, Germany, 2019)

Lust by Ania Aristarkova &#38;nbsp;(Sophiensaele, Berlin, 2018)

f(beings) by Jan Rozman (Uferstudios, Berlin, 2018)

There is a hole in my story by Ellinor Lunjkvist (Open Space at Tanzfabrik 2017, Berlin)

OBNIMASHKI by Ania Aristarkova (Performing Arts Festival, Sophiensaele, Berlin, 2017)

Fous de danse - Ganz Berlin tanzt auf dem Tempelhofer Feld by Boris Charmatz 2017)

Nothing Left by Nile Koetting (3HD Festival, Hebbel am Ufer, Berlin, 2016)

Der Tag: wo es weder Tag noch Nacht gibt by I-Jung Lim (Uferstudios, Berlin, 2016)&#38;nbsp;
</description>
		
		<excerpt>  Collaborations  Threshold Barrier by Arneout Mik (Schirnhalle, Frankfurt am Main, 2022)  IF EVERY ROCK IS A HOLE by Amparo González Sola (Come Together,...</excerpt>

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	<item>
		<title>Ongoing Projects</title>
				
		<link>http://simonegisela.com/Ongoing-Projects</link>

		<comments></comments>

		<pubDate>Tue, 20 Sep 2022 19:36:50 +0000</pubDate>

		<dc:creator>Simone Gisela Weber</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">430745</guid>

		<description></description>
		
		<excerpt></excerpt>

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	<item>
		<title>LUST by Ania Aristarkhova (Sophiensaele Berlin, 2018)</title>
				
		<link>http://simonegisela.com/LUST-by-Ania-Aristarkhova-Sophiensaele-Berlin-2018</link>

		<comments></comments>

		<pubDate>Sat, 06 Feb 2021 19:15:40 +0000</pubDate>

		<dc:creator>Simone Gisela Weber</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">397569</guid>

		<description>


LUST by Anna Aristarkhova (Sophiensaele, 2018)


DE
Lust verwandelt den Hochzeitssaal in einen geheimnisvollen Garten. Freie Flächen laden zum Sehen und Gesehen werden und dichtes Grün lockt zum Verschwinden. Schwankend zwischen Mensch, Tier und Fabelwesen nähern sich fünf Performer_innen rituell dem Zustand der Lust an. Zwischen domestizierten Berührungen und wucherndem Kontrollverlust, mal unschuldig und voller Ekstase, mal von dem Impuls geleitet, sich gegenseitig zu besitzen, erforschen sie Spannungen und Widersprüche. Lust ist existenzieller Antrieb und unerreichtes Ziel zugleich. Ohne sie würde der Garten mit seinen Bewohner_innen stillstehen.


ENG
Lust transforms the Hochzeitssaal into a mysterious garden.&#38;nbsp;Open spaces invite to see and be seen while the shades of green become attractive hiding places.&#38;nbsp;Oscillating between being humans, animals and mythical creatures, five performers explore various rituals to bring themselves closer&#38;nbsp;to the state of lust.&#38;nbsp;Between domesticated touches and an overwhelming loss of control, sometimes innocently and full of joy,&#38;nbsp;sometimes driven by an impulse to possess each other, they face tensions and contradictions&#38;nbsp;Lust is an existential driver and unattainable goal at the same time. Without it, the garden and its inhabitants would stand still…

IDEE, KONZEPT, CHOREOGRAFIE Anna Aristarkhova&#38;nbsp;DRAMATURGIE&#38;nbsp;Isabel Gatzke&#38;nbsp;DARSTELLER_INNEN, MITKREATION&#38;nbsp;Matthew Rogers, Lyllie Rouvière, Jan Rozman, Grete Šmitaite, Simone Weber&#38;nbsp;BÜHNENBILD&#38;nbsp;Jonas Maria Droste&#38;nbsp;LICHTDESIGN&#38;nbsp; Annegret Schalke&#38;nbsp;KOSTÜM&#38;nbsp;Malena Modéer&#38;nbsp;DOKUMENTATION&#38;nbsp;Philipp Weinrich&#38;nbsp;PRODUKTIONSLEITUNG&#38;nbsp;M.I.C.A. - Movement in Contemporary Art&#38;nbsp;MUSIC&#38;nbsp;isochronic Tones - Pure Alpha Waves, Khruangbin (August 10), Matthew Herbert (Is Awake, Is Moving, Is Coming), Nisennenmondai (Mirrorball)

Eine Produktion von Anna Aristarkhova in Koproduktion mit SOPHIENSÆLE. Gefördert von der Senatsverwaltung für Kultur und Europa. Medienpartner: taz.die tageszeitung</description>
		
		<excerpt>  LUST by Anna Aristarkhova (Sophiensaele, 2018)   DE Lust verwandelt den Hochzeitssaal in einen geheimnisvollen Garten. Freie Flächen laden zum Sehen und...</excerpt>

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